The language of images in the art of cinema

"Mizj Publishing and Distribution" presents the book "The Language of the Image in the Art of Cinema." When Georges Schnainer asked, "Are we emerging from a historical era where the word held paramount importance, from a classical period rich in literary expression, to a stage where language diminishes and 'post-linguistic' forms emerge, or perhaps forms whose essence is something of silence?" the answer came from Ingmar Bergman when he said, "Cinema is a language that transcends words. It allows us to connect with the world around us in a language that emanates from the soul and truly speaks to the soul, with vocabulary that bypasses the censorship of the mind and addresses it in an almost sensory way." The book before us is a study of the phenomenon of ambiguity or obscurity that has permeated many international films, concluding that ambiguity or obscurity is the profound expression of a revolutionary art that refuses to offer us any form of comfortable and superficial certainty. Rather, it is an art that compels us to live anew through a long journey, from which each of us emerges with our own conclusion or ending. The book in our hands is a study of the phenomenon of ambiguity or confusion that has prevailed in many international films, concluding that ambiguity or confusion is the profound expression of a revolutionary art that refuses to place in our hands any kind of comfortable and superficial certainty. Rather, it is an art that pushes us to live again through a long journey, and for each of us to emerge from this journey with the conclusion or ending that he sees.